Music In The Girls Own Paper An Annotated Catalogue 1880 1910 PDF Books

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Music In The Girl S Own Paper

Music In The Girls Own Paper An Annotated Catalogue 1880 1910
Author: Judith Barger
Publisher:
ISBN: 9781315534930
Size: 80.11 MB
Format: PDF
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Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. "The Girl's Own Paper," first published in 1880, stands out because of its rich musical content. Keeping practical usefulness as a research tool and as a guide to further reading in mind, Judith Barger has catalogued the musical content found in the weekly and later monthly issues during the magazine's first thirty years, in music scores, instalments of serialized fiction about musicians, music-related nonfiction, poetry with a musical title or theme, illustrations depicting music making and replies to musical correspondents. The book's introductory chapter reveals how content in "The Girl's Own Paper" changed over time to reflect a shift in women's music making from a female accomplishment to an increasingly professional role within the discipline, using 'the piano girl' as a case study. A comparison with musical content found in "The Boy's Own ""Paper" over the same time span offers additional insight into musical content chosen for the girls' magazine. A User's Guide precedes the chronological annotated Catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.
Music in The Girl's Own Paper
Language: en
Pages: 351
Authors: Judith Barger
Categories: Biography & Autobiography
Type: BOOK - Published: 2017 - Publisher:
Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. "The Girl's Own Paper," first published in 1880, stands out because of its rich musical content. Keeping
Music in The Girl's Own Paper: An Annotated Catalogue, 1880–1910
Language: en
Pages: 352
Authors: Judith Barger
Categories: Music
Type: BOOK - Published: 2016-09-13 - Publisher: Taylor & Francis
Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Keeping
Imperial Middlebrow
Language: en
Pages: 258
Authors: Judith Barger
Categories: Literary Criticism
Type: BOOK - Published: 2020-05-11 - Publisher: BRILL
The collection Imperial Middlebrow, edited by Christoph Ehland and Jana Gohrisch, surveys colonial middlebrow texts concentrating on Britain, India, South Africa, the West Indies, and so on, and uses the concept as a tool to read contemporary writing from Britain and Nigeria.
Music and World-Building in the Colonial City
Language: en
Pages: 228
Authors: Helen J. English
Categories: Music
Type: BOOK - Published: 2020-07-26 - Publisher: Routledge
Music and World-Building in the Colonial City investigates how nineteenth-century migrants to Australia used music as a resource for world-building, focusing on coalmining regions of New South Wales. It explores how music-making helped British migrants to create communities in unfamiliar country, often with little to no infrastructure. Its key themes
The Music Profession in Britain, 1780-1920
Language: en
Pages: 230
Authors: Rosemary Golding
Categories: Music
Type: BOOK - Published: 2018-03-15 - Publisher: Routledge
Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change,
French Music in Britain 1830–1914
Language: en
Pages: 238
Authors: Paul J Rodmell
Categories: Music
Type: BOOK - Published: 2020-11-26 - Publisher: Routledge
French Music in Britain 1830–1914 investigates the presence, reception and influence of French art music in Britain between 1830 (roughly the arrival of ‘grand opera’ and opéra comique in London) and the outbreak of the First World War. Five chronologically ordered chapters investigate key questions such as: * Where and
Arthur Sullivan
Language: en
Pages: 232
Authors: Benedict Taylor
Categories: Music
Type: BOOK - Published: 2017-08-09 - Publisher: Routledge
Arthur Sullivan (1842–1900) was Victorian Britain’s most celebrated and popular composer, whose music to this day reaches a wider audience than that of any of his contemporaries. Yet the comic operas on which Sullivan’s reputation is chiefly based have been consistently belittled or ignored by the British musicological establishment, while
Richard D’Oyly Carte
Language: en
Pages: 178
Authors: Paul Seeley
Categories: Music
Type: BOOK - Published: 2019-01-02 - Publisher: Routledge
The first biography of Richard D’Oyly Carte, this is a critical survey of the career of the impresario whose ambitions went beyond the famous partnership of Gilbert and Sullivan. Errors and misconceptions in current literature are challenged and corrected to give a truer portrayal of one of the most influential
Augusta Browne
Language: en
Pages: 457
Authors: Bonny H. Miller
Categories: Biography & Autobiography
Type: BOOK - Published: 2020 - Publisher: Eastman Studies in Music
The first comprehensive biography of any American woman musician born before the Civil War brings to life a composer whose story is both old-fashioned and strikingly modern.
Sound, Sin, and Conversion in Victorian England
Language: en
Pages: 172
Authors: Julia Grella O'Connell
Categories: Music
Type: BOOK - Published: 2018-04-19 - Publisher: Routledge
The plight of the fallen woman is one of the salient themes of nineteenth-century art and literature; indeed, the ubiquity of the trope galvanized the Victorian conscience and acted as a spur to social reform. In some notable examples, Julia Grella O’Connell argues, the iconography of the Victorian fallen woman